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12.06.19

I believe that words are strong, that they can overwhelm what we fear when fear seems more awful than life is good.  

-Andrew Solomon



Home for Christmas

Thomm, masked
You'd hardly know I was existentially tortured!

On my run, I stumble upon a Christmas parade already in progress. I do not know what the front of it might have been, though I am fewer than a hundred feel from its beginning. I am not going to run in that direction. Through the crowd of a hundred parents and children, I weave to continue my usual course.

But behind my neoprene mask, meant to keep the cold at bay, I grin madly. It is difficult to know whether the adults around me can read the smile on my eyes or think I am mad in either sense.

I've always had a soft spot for Christmas, beyond what most people my age experience, particularly when they are childfree Pagans.

I am happier than I have in a long time looking at a fairy lit firetruck, awash in childlike delight. It is not as though this parade is anything glorious. There is only a cart full of people and a bearded man in a sleigh -- and this description is generous.

If my features were not obscured, one might think that this parade was one of the best moments of my life.

Santa throws a peppermint candy. I catch it in one hand and then wave. He waves back, all jollity and real beard. There are no children at this stretch, nor could I be mistaken for one no matter how bundled I am. I give credit to Santas who do not discriminate based on age.

In my daily life I am skeptical of my emotions. Sometimes I do not react at all as I expect. I meet joys and tragedies with wide-eyed wryness. Then sometimes the smallest thing sets me off and I cry. I'm aware it's going on; I can't stop it. Or a small turquoise bear figure makes me so blissful that I must ration my exposure to it. (I've done the same with songs. I cannot let myself ruin how they let me feel.)

I don't understand why this parade affects me so. I thrill at the emotion long enough to stave off curiosity about the why. Best to occupy this holy moment before crushing it into a powder to study under the microscope.

I resent that my birthday is coming up. I do not relish the idea that it will be my last year of being in my 30. I can convince myself that being in my 30s isn't that old. When I turn 40 next year, I can't perpetuate that delusion.

I've been dealing with aging in visible ways. I am used to having a boyish charm, and I'm not going to grow into being roguishly handsome. I'm just going to become old. I don't know what to do about this.

A thing that keeps me going is that I'm becoming so much a better writer. I can sit and write a 6000 words story without effort or fatigue. That would have astounded me even five years ago. Therapy and medication, along with actually sleeping, has helped more than I can state.

As the winter grows deeper, it gives home to a sadness that can't be strong in summer light. For seven minutes looking at this parade, the small sadness finds no purchase in me. I am not existentially uneasy. I am enjoying what's in front of me outside a context further than "Boy, my town is cute."

December is the month of my birth, which I hate. It is also Christmas, a holiday I like enough to have written an anthology about it, a time when people are nice for a little while. The end of the year comes awash in this mix of emotions.

The only way in which I'm getting better is in my writing. When I am cognitively fuzzy, because of an illness or stress, I panic. Don't let me lose this. Aside from my writing, I can point to periods in my life where something was better. I had better hair, I was healthier, I was happier, I had close friends whom I saw at least weekly, my wife was more relaxed. These are no longer the case. I am thinner than I was at any point from 15 to 36, attributable to my medication and insistence that I must get 11,000 steps a day or be miserable. I am more self-aware now. But it is the writing that is better. Everything else is apt to continue deteriorating.

All the more reason that I want to cling to the peppermint candy that I caught from that Santa, insubstantial though it is.

In most of my life, I'm repressing this existential angst. I am not usually happy. I'm on the pleasant side of neutral because I actively do not think about the things that would destroy me if I did. I'm not thinking about getting older. I'm not thinking of watching my gradual decline until I'm nothing. I'm not thinking about the things that I have not done and probably will never do, the doors long closed to me and painted over. In a month Amber's grandfather and my aunt died, forcing further contemplation of mortality.

Much of my life is distracting myself from what is going on in my head. I listen to podcasts over an hour a day most days, because music affects me too much. Learning gives me topics on which I can write and things about which I can think instead of personal speculations. Podcasts give me topics of conversation other than how I'm doing, because I do not know how I am doing.

I am grinning because I see a parade. I am sullen because I lost my favorite pin. I do not know how I am in December.

last watched: Schitt's Creek
reading: A Warning by Anonymous

Thomm Quackenbush is an author and teacher in the Hudson Valley. He has published four novels in his Night's Dream series (We Shadows, Danse Macabre, Artificial Gods, and Flies to Wanton Boys). He has sold jewelry in Victorian England, confused children as a mad scientist, filed away more books than anyone has ever read, and tried to inspire the learning disabled and gifted. He is capable of crossing one eye, raising one eyebrow, and once accidentally groped a ghost. When not writing, he can be found biking, hiking the Adirondacks, grazing on snacks at art openings, and keeping a straight face when listening to people tell him they are in touch with 164 species of interstellar beings. He likes when you comment.